GOLMAAL RETURNS Movie Review
Posted On Wednesdayat7:31 PM by Ark_Light_333
GOLMAAL RETURNS is a forthcoming Bollywood film directed by Rohit Shetty. The film is a sequel to the 2006 film, Golmaal with Ajay Devgan, Tusshar Kapoor and Arshad Warsi reprising their roles and Shreyas Talpade the role originally played by Sharmin Joshi. Kareena Kapoor, Anjana Sukhani, Amrita Arora, Celina Jaitley are new additions to the cast. Produced by Dhillin Mehta under Shree Ashtavinayak Cine Vision LTD, the film is expected to release on Wednesday, October29, 2008. The film is a remake of the Original Aaj ki Taaza Khabar 35 years ago, the Kiran Kumar - Radha Saluja comedy AAJ KI TAZAA KHABAR [1973] is the inspiration for GOLMAAL RETURNS No issues with that, it's an interesting concept. Originally expected to commence shooting for the film in Dubai on a forty day schedule, the cast shot for the film in Goa a twenty day schedule. Shooting later continued in places like the Filmistan Studios in Mumbai, South Africa and Bangkok.Gopal (Ajay Devgan), who lives with his wife Ekta (Kareena Kapoor), sister Esha (Amrita Arora) and a dumb brother-in-law Lucky (Tusshar Kapoor), gets stuck in a yacht one night after he saves an attractive young woman Meera (Celina Jaitley) from the dreaded goons, while on his way back home from office. Due to the circumstances, both of them stay back on the yacht. When he arrives home the next day, his over suspicious wife Ekta, a hard core saas-bahu serial’s fan, suspects him of flirting around with his girl staffs.
Gopal thinks that it’s difficult to convince her by telling her about the incident that actually took place the prior night and hence, he invents a story about spending the night with a fictitious friend named Anthony Gonsalves. Ekta does not believe his story as she knows that he never had a friend by that name, and hence, she decides to write to Anthony to come and visit her. Gopal convinces his junior at work, Laxman [Shreyas Talpade], to pretend to be Anthony. Everything goes according to plan till the real Anthony turns up. If that isn't complication enough for Gopal, a dead body is discovered at the location where he had saved Meera. The Investigating Officer, Madhav [Arshad Warsi], who is Esha's boyfriend and also who cannot stand the sight of Gopal, learns that the latter had been missing from home that eventful night and begins checking on him.
Writer Yunus Sajawal takes an interesting premise, but instead of upgrading it, only downgrades it with lacklustre situations. The writing is so weak, so lifeless that after a point you sit motionless, looking at the goings-on mechanically, instead of being a participant.
A few sequences do entertain you, but they're few and far between. Not enough to camouflage the defects. In view of the fact that the writing is so weak, there's not much that director Rohit Shetty can do to save the ship from sinking. However, the dialogues are howlarious. Music is not as inspiring. 'Tha Karke' is the best track, while 'Tu Saala' [well promoted] isn't there in the film and 'Meow' comes during the end credits. And you're exasperated by then!
Gopal thinks that it’s difficult to convince her by telling her about the incident that actually took place the prior night and hence, he invents a story about spending the night with a fictitious friend named Anthony Gonsalves. Ekta does not believe his story as she knows that he never had a friend by that name, and hence, she decides to write to Anthony to come and visit her. Gopal convinces his junior at work, Laxman [Shreyas Talpade], to pretend to be Anthony. Everything goes according to plan till the real Anthony turns up. If that isn't complication enough for Gopal, a dead body is discovered at the location where he had saved Meera. The Investigating Officer, Madhav [Arshad Warsi], who is Esha's boyfriend and also who cannot stand the sight of Gopal, learns that the latter had been missing from home that eventful night and begins checking on him.
Writer Yunus Sajawal takes an interesting premise, but instead of upgrading it, only downgrades it with lacklustre situations. The writing is so weak, so lifeless that after a point you sit motionless, looking at the goings-on mechanically, instead of being a participant.
A few sequences do entertain you, but they're few and far between. Not enough to camouflage the defects. In view of the fact that the writing is so weak, there's not much that director Rohit Shetty can do to save the ship from sinking. However, the dialogues are howlarious. Music is not as inspiring. 'Tha Karke' is the best track, while 'Tu Saala' [well promoted] isn't there in the film and 'Meow' comes during the end credits. And you're exasperated by then!
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